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For weeks together this exemplary parent continues his monotonous task, ventilating the spawn many times every day, till the time comes for hatching. It takes about a month for the eggs to develop: and then the proud father's position grows more arduous than ever. He has to rock a thousand cradles at once, so to speak, and to pacify a thousand crying babies. On the one hand, enemies hover about, trying to eat the tender transparent glass-like little fry, and these he must drive off: on the other hand, the good nurse must take care that the active young fish do not stray far from the nest, and so expose themselves prematurely to the manifold dangers of the outer world. Till they are big enough to take care of themselves, he watches with incessant vigilance over their safety; as soon as they can go forth with tolerable security upon the world of their brook or pond, he takes a last well-merited holiday.

Taken singly, I suppose that none of the figures in the chapel, except the Virgin's grandmother, should be rated very highly. The under-nurse is the next best figure, and might very well be Tabachetti's, for neither Giovanni d'Enrico nor Giacomo Ferro was successful with his female characters. There is not a single really comfortable woman in any chapel by either of them on the Sacro Monte at Varallo. Tabachetti, on the other hand, delighted in women; if they were young he made them comely and engaging, if they were old he gave them dignity and individual character, and the under-nurse is much more in accordance with Tabachetti's habitual mental attitude than with D'Enrico's or Giacomo Ferro's. Still there are only four figures out of the eleven that are mere otiose supers, and taking the work as a whole it leaves a pleasant impression as being throughout naive and homely, and sometimes, which is of less importance, technically excellent.


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