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The written symbol extends infinitely, as regards time and space, the range within which one mind can communicate with another; it gives the writer's mind a life limited by the duration of ink, paper, and readers, as against that of his flesh and blood body. On the other hand, it takes longer to learn the rules so as to be able to apply them with ease and security, and even then they cannot be applied so quickly and easily as those attaching to spoken symbols. Moreover, the spoken symbol admits of a hundred quick and subtle adjuncts by way of action, tone and expression, so that no one will use written symbols unless either for the special advantages of permanence and travelling power, or because he is incapacitated from using spoken ones. This, however, is hardly to the point; the point is that these two conventional combinations of symbols, that are as unlike one another as the Hallelujah Chorus is to St. Paul's Cathedral, are the one as much language as the other; and we therefore inquire what this very patent fact reveals to us about the more essential characteristics of language itself. What is the common bond that unites these two classes of symbols that seem at first sight to have nothing in common, and makes the one raise the idea of language in our minds as readily as the other? The bond lies in the fact that both are a set of conventional tokens or symbols, agreed upon between the parties to whom they appeal as being attached invariably to the same ideas, and because they are being made as a means of communion between one mind and another,-- for a memorandum made for a person's own later use is nothing but a communication from an earlier mind to a later and modified one; it is therefore in reality a communication from one mind to another as much as though it had been addressed to another person.

This was amid a thick undergrowth. Moving on into a passage of large, stately hemlocks, with only here and there a small beech or maple rising up into the perennial twilight, I paused to make out a note which was entirely new to me. It is still in my ear. Though unmistakably a bird note, it yet suggested the bleating of a tiny lambkin. Presently the birds appeared,--a pair of the solitary vireo. They came flitting from point to point, alighting only for a moment at a time, the male silent, but the female uttering this strange, tender note. It was a rendering into some new sylvan dialect of the human sentiment of maidenly love. It was really pathetic in its sweetness and childlike confidence and joy. I soon discovered that the pair were building a nest upon a low branch a few yards from me. The male flew cautiously to the spot, and adjusted something, and the twain moved on, the female calling to her mate at intervals, _love-e, love-e_, with a cadence and tenderness in the tone that rang in the ear long afterward. The nest was suspended to the fork of a small branch, as is usual with the vireos, plentifully lined with lichens, and bound and rebound with masses of coarse spider-webs. There was no attempt at concealment except in the neutral tints, which made it look like a natural growth of the dim, gray woods.


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